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Reg: 05-10-2006
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You guys reminded me of an article I read about Chuck Eisenmann and his dog London, the star of the TV show "The Littlest Hobo". London had a vocabulary of over 4000 words and Chuck maintains his dogs are "educated", not trained.
Here is the article:
A thinking dog's man
By Arthur Fuller, TV Guide, December 29, 1979
In a small clearing in a woods, the crew is midway into a Littlest Hobo shoot, an episode called "Target For Terror". In this scene, the terrorist leader (Peter Jobin) is supposed to search through the long grass for Toro, the German shepherd-turned-actor who stars in the television series. Toro's trainer, Chuck Eisenmann, a gruffly, likable man of 60, talks to his star:
"I want you to hide here in the grass, Toro. He'll be coming across like this," says Chuck, scanning the field with a pointed finger. "Keep an eye on him, but don't let him see you."
Chuck moves out of the way, the camera rolls, Jobin moves through the long grass, gun in hand, eyes full of menace, and Toro digs in, rising briefly, then ducking low again- credibly, as if he truly thought his life in danger.
A four-door sedan stands in the driveway, the driver and rear passenger doors open. For this scene, the dog must go into the car through one door, pass over the seat, and exit the vehicle by the other door. Eisenmann hems and haws, surveying the sedan.
"No way Toro can do it," he tells the director. "His body's too long; he'll get caught. It'll have to be Bo." Chuck turns to the blanket where the five magnificent German shepherds recline. He summons the smallest dog, who prances forward, looking like a young actor sensing his big opportunity. Chuck crouches to speak to him. "Bo, I want you to run up to the car, go in this door, jump over the seat, and go out there." The camera rolls, and Bo receives his cue and heads for the sedan. In, over, out- flawlessly. "Print it," says the director.
Events whose drama is somewhat less than gripping? Perhaps one must have tried (and failed) to train a dog to fully appreciate the breadth of accomplishment displayed by the five dogs who together fill the role of CTV's The Littlest Hobo. Then, too, we have been spoiled. Animals, as Walt Disney had a hunch, are almost guaranteed box office successes. The original Rin Tin Tin was one of the silent film era's biggest drawing cards, and ever since, we have been knee-deep in animals: lions, donkeys, horses (talking and non-talking), bears (koala and grizzly), porpoises, chimpanzees, birds, and, of course, dogs (several Lassies and Rin Tin Tins, not to mention the original Littlest Hobo). We have also grown more sophisticated, aware that what appears on the screen to a single animal may in fact have been several, cleverly edited.
But as Chuck Eisenmann sees it, that is a small problem compared with the major one facing The Littlest Hobo- the quality of the scripts. There is, strangely, no communication whatsoever between Eisenmann and the series' writers- and if they do not realize what the dogs can do, there is no chance that the audience will so-realize. As a result, the star of the series is shunted to the periphery.
Chuck shakes his head, removes his baseball cap, and ruffles his hair. "Toro and Bo are using about 75 percent of their grey matter, where most dogs, like people, use only 10 percent. They're capable of truly remarkable things. Unlike a conditioned dog, they can even deal with an unfamiliar situation. But the kind of thing we've been shooting in the past couple of weeks, the producers might be better off with a dog conditioned to come, sit, lie down. In one script," he recalls with a contemptuous chuckle, "there were 37 barks and whimpers. 'London barks his approval. London looks intelligent.' What the hell am I supposed to do to improve that?"
Precisely, what can Chuck's dogs do? To illustrate, Chuck arranged a demonstration. It was an eye-opener.
The dogs understand Chuck in English, French, and German. They have, Chuck claims, vocabularies of up to 5,000 words. At one point, Chuck said to Toro, "There are two musical instruments in this room. One has strings and the other is a d-r-u-m. Show them to me in that order." Toro rose from his place and nuzzled the guitar, then the small hand drum.
The dogs can distinguish colors. "London," said Chuck, "show me a flower the same color as this man's shirt." London touched the flower with his nose.
"There are four men here," Chuck said to Toro, "all in blue shirts and blue pants. One of them is wearing a blue velour shirt. Which one?" Toro approached the man in the velour shirt. "One of us is not wearing sneakers," the man in velour said to Chuck. "Could the dog pick that out?" Chuck nodded. "Toro, what was that man talking about?" Toro looked at the four men and approached the only man in kung-fu slippers, nudging his toe. Chuck gave to the dog no command, only a question that contained no information. Toro had to have been listening to the conversation. Understanding it. One begins to realize the extent of Chuck's frustration.
Chuck has been training dogs foe 34 years. In 1958, he made the feature film, The Littlest Hobo. Beginning in 1962, he spent three years making the original television series (also produced in Canada). Two more feature films followed, but for most of the past 14 years, Chuck has concentrated on live performances. He has raised, over the years, 17 phenomenal dogs, and found the time to author two heretical training manuals. For if Eisenmann's dogs are extraordinary, they are less so than his theories.
The basic mistake of most people, he says, is to shower their dog with love rather than respect. "A dog should be housebroken within 24 hours," Chuck states flatly. "Without newspapers or any of that. How? Observation. When it's time, the dog will let you know. Not in English, of course, but you'll understand. You have to be ready, and show him where you would like him to go. If you're too busy, he'll go on the British India rug, and wonder why you get mad. You must observe. Respect your dog's intelligence. You can cripple a young dog's development, just by thinking too little of him."
Obedience skills, says Chuck, can hurt a dog more than they can help. "You can't bring a dog into a room full of dogs and expect it to learn. While you're forcing its behind down and saying, 'Sit," the dog's mind is on the behind of the next dog. You can't get through to him. Worse. You'll close his mind by insisting. Convince a dog that you think he's stupid, and he will surely oblige you."
Respect your dog's mind, and challenge it. Those are the pillars of the Eisenmann method. He raises dogs in the way that enlightened parents raise children. He has no use for the leash, nor for physical punishment. At about six weeks, Chuck begins training his dogs, conditioning them to come, sit, stay, pick it up, and bring it. At the outset, Chuck's attitude is more hopeful than demanding, and he is careful not to confuse the dog with too much information. As quickly as possible, though, he abandons the sacred cow of single-word commands in favor of more elaborate requests. "Sit down," evolves into, "If you don't mind, would you please come over here and sit down?"- forcing the dog to listen to a stream of words before coming close to those that he can understand. He talks to his dogs constantly, pointing to things, spelling words out for them, offering other words for the same things. "I choose my moments, though," says Chuck. "I wait until I have the dog's attention. If the dog's mind is receptive, you get in."
At seven or eight months, serious teaching begins- in two 15-minute periods per day, always at the same time, so that the dog will perceive the difference between class time and the remainder of the day. In class, what Chuck says goes, while outside, the dogs are free to follow their own avenues of inquiry. All the while, Chuck observes, allowing his dogs to teach him, challenging their strengths instead of their weaknesses.
"Too often, dogs are blamed for the inadequacies of their owners," Chuck says, smiling philosophically. "A dog must be educated to live in human society, and we must hold the owners responsible for the actions of the animals. We shouldn't be licencing dogs. We should be licencing owners."
Since reading that article, I have tried to teach my Aussie/Lab cross, Emma, to distinguish her toys by name. She still cannot do this, but we are currently learning competition obedience. I have found that Emma learns my gestures much more readily than words. Her main job is to keep my foster dogs entertained and exercised when it is play time. She takes this job seriously.
It's really cool for me to read stories from you all about what your dogs can do and understand.
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Reg: 10-06-2005
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Jenni, what you said about Caleb and the tennis ball/stick. That sure does strike a chord with me. I cannot even remember how many times I've spoken to CeeCee or Harley in a conversational tone of voice...no command...and had them do what I suggested. Example, "CeeCee, it sure is chilly in here, why don't you go lay down in your sunbeam?". She looks at me, cocks her head, and then strolls on over to the beam and flops down. "Harley, the bunney went behind the bush by the bird feeder" There goes Harley, straight for that particular bush. And on and on.
So, Janice, you're crazy, too!
I speak to my 2 oldest like this all the time, and it's absolutely impossible that it's all coincidence that they do just what I suggested at that time. People think I'm nuts. I rarely speak to them in simple commands...it's more like "Hey, Caleb, it's really crowded in here and everyone's afraid of you, so could you do me a favor and fuss? Thanks." Sure, he'd have done the same thing if I said "fuss" but I honestly think talking to them instead of barking out orders like a sergeant has a huge influence (positive) on our relationship. Similarly, I can say "Caleb, why don't you go up the ladder and down the slide" or "up the slide and down the ladder". Yes, it's simple word association, but if they were dumb animals, having 4 commands thrown at them in one sentence would stump them.
My Chi will decide between going for a walk with Frisco (Mom's dog) or going to McDonald's. I ask him "Would you rather go for a walk with Frisco or go to McDonald's and get a burger?" He stares at me, shaking, then I say simply "Burger" and wait for a response. If I get none, I say "Frisco" and he'll start this ridiculous shrieking. He usually picks Frisco, but not always. Oh, and don't go to a drive-thru and not get him anything...unless you LIKE pee-filled shoes.
Anyway, I'm so glad there are others who talk to their dogs as if they can understand...because I think they can. I just sat here nodding to myself reading others' posts, esp. Janice, Carol, and Sandy....so familiar.
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